RYAN STANDFEST

RYAN STANDFEST

  • RECENT WORK
  • PAINTING | DRAWING
  • PHOTO
  • PRINT
  • SCULPTURE
  • SHORT FILMS
  • PERFORMANCE
    • a radiant cataclysm
      • a radiant cataclysm: excerpt 1
      • a radiant cataclysm: excerpt 2
    • the carbuncle procedure
      • carbuncle procedure: excerpt 1
      • carbuncle procedure: excerpt 2
      • carbuncle procedure: excerpt 3
      • carbuncle procedure excerpt 4
    • three happy butchers
      • three happy butchers excerpt 1
      • three happy butchers excerpt 2
      • three happy butchers excerpt 3
      • three happy butchers excerpt 4
    • a theory of nothing and the sound of everything
    • fat brando
    • hullab
    • king smiley boy
  • EXHIBITIONS
    • FROM STOPE TO SPOIL TIP
    • When Day Is Done
    • There's nothing so bad that it can't grow worse.
    • Dumpster Fire
    • I Went To Work But I Did Not Get There
    • THIS MUST NOT BE THE PLACE YOU THOUGHT IT WOULD BE
  • WRITINGS
    • Essay'd: Emmy Bright / John Maggie / Jeffrey Abt (2019-2020)
    • Detroit Art Review (2018-2019)
    • The Problem of Entropy: A Remembrance of Artist David Barr (2018)
    • Ceremonial Handball: On Jim Chatelain (2017)
    • The N-Word: Paintings by Peter Williams (2016)
    • Chopped-Up Figures in Boxes with Shapes Coming Out of Their Mouths: Comic Strip Poetics (Mid-America Print Journal, 2016-2017)
    • Coitus Modern/Case Study: Modernist Erotic Delirium (fiction, 2016)
    • Getting Malled: Back to the Third Place (fiction, 2016)
    • Editorial: Getting To Know Charlie (2015)
    • Macabre Populism From The Chosen Land (Mid-America Print Journal, 2015)
    • Making Money Selling Manure is Better than Losing Money Selling Musk (fiction, 2014)
    • Chicago: Comics On The Make (The Comics Journal, 2012)
    • Creating Panic: Al Feldstein’s Humor at E.C., 1950-1955 (2011)
    • Black Humor And The American Comic (2010)
  • ROTLAND PRESS
  • ABOUT
    • CLICK TO CONTACT
  • LINKS
supply + demand (preparatory sketch for a mural)
2018
ink on bristol card
4 1/4 x 10 3/4 inches

private collection


© RYAN STANDFEST